
Rembrandt's Jeremiah
After visiting Cairo, Fresno, to me, is quite a nice place to be. I appreciate the clean streets and neighborhoods, and orderly traffic much more now than I used to. I love the friendly faces I see in the Tower District, and there is no shortage of good company lately.
I am looking into a studio in Downtown Fresno at the moment, and I have found a few options to pick from. Im excited to get back to work, and the goal for 2012 is to learn to make frames. After visiting the Louvre, and the Rijks, and other museums of that caliber I have realized how important a good frame can really be. The frame is like a window into the artist’s world. Almost like a gateway into the vision of the artist. I really like this concept, and I think it adds much depth to the artwork.
One of the concepts that I really like about a lot of dutch paintings is their comic-esque qualities. I use this Rembrandt as an example. Here Jeremiah mourns the destruction of Jerusalem. It is hard to tell from this photo, but outside the cave is the small burning city of Jerusalem. So Rembrandt cleverly placed this little vignette off to the side of Jeremiah to show what he was thinking about. Well done Rembrandt. I certainly approve.
I have heard many artists talking at FAA and occasionally I hear them bashing decisions like Rembrandt has made here saying that “he just painted the figure, and then put a background in.” Often times it is said like it’s a bad thing, but I disagree. I think if the background is put in tastefully like Rembrandt did here, it can add many new layers of depth, and make the picture much more interesting. Yeah the background was stuck in there, but there was a purpose for doing so, and I think it works.

Antique Dutch Frame
It wont be long before I settle back in to my new environment that is the Central Valley, and soon enough I will be learning the art of framing, and I should have almost every aspect of this wonderful obsession down. From making wood panels, to stretching and rabbit skin gluing linen, refining my own linseed oil, to making oil based gesso and grinding my own paint, all the way to making professional quality frames. I am very excited for 2012. It’s going to be a great year.



