Landscape

The Haggin Museum – Stockton

I took a trip up to Stockton to visit some wonderful paintings at the Haggin Museum which was spectacular! They have a wonderful collection of paintings by some of my all time favorites. The top of the list would start at Bougerou, then Albert Bierstadt, Jean Leon Gerome, and Ridgeway Knight.
photo
It is breathtaking. And the wonderful thing about this museum is you can get very close to the paintings, so if you are really trying to study how the paint was applied you can. Every serious painter must go see as many masterpieces as possible. How else are you supposed to know what a great painting looks like?
Bougerou Close
The way he models the flesh is just unbelievable. You can really feel the fleshiness of the skin. I am curious what his process of layering was. If anyone has any idea please post a link in the comments!
Jean Leon Gerome This painting is called the Artist and his Model. It’s quite a small painting, but as you can see it is absolutely beautiful. It seems to emit its own light. Gerome was quite incredible.
V This is my Friend Vicente, sitting in front of an Albert Bierstadt Painting of Yosemite Valley. I love the light and the clouds. I was almost born in Yosemite Valley… Perhaps that is why I love these paintings of it so much. They are all of a time before tourism. They are calm and peaceful. There is a true sense of a higher power in his paintings.
I highly recommend going to the Haggin Museum. It really is “The Jewel of Stockton”

Updates coming soon…

Im working on some updates for WWW.NIGELROBERTSON.COM at the moment. You might notice most of the pages of artwork are not there anymore. Its because there are  new and improved pages going up. I usually do this once or twice a year, and its about that time… So come back soon. Also I thought I would post a few new paintings that I have been working on to hold you over. Have a lovely day.

Sold

And as usual, if you are interested in any of these works please feel free to contact me and Ill give you a price.

On Providence

I came across this quotation by W.H Murray, and really found it empowering. It’s all about commitment. Commitment has brought me to many amazing places. Like painting in switzerland for example:

 painting switzerland in plein air

One of the many places that painting has brought me...

“Until one is committed, there is hesitancy, the chance to draw back. Concerning all acts of initiative (and creation), there is one elementary truth, the ignorance of which kills countless ideas and splendid plans: that the moment one definitely commits oneself, then Providence moves too. All sorts of things occur to help one that would never otherwise have occurred. A whole stream of events issues from the decision, raising in one’s favor all manner of unforeseen incidents and meetings and material assistance, which no man could have dreamed would have come his way. Whatever you can do, or dream you can do, begin it. Boldness has genius, power, and magic in it. Begin it now.”
― W.H. Murray

The way I see it. If I never made the bold move to go back to Europe outside of the Florence Academy, I would never have made this painting. I regret not going to more places to paint. We will just have to see what the future holds.

Rolling hills in switzerland

Switzerland en Plein Air 20x30 CM - By Nigel Robertson

Plein Air Painting in Cairo

Bekkahs Rooftop - Signifying the final peak of our relationship - The apocalypse is beautiful

It was a somewhat successful day here in Maadi, Cairo for me today. It was the usual routine for me, although I came up with the near perfect algorithm for painting such a complex view of Road 233. It is painted from the view of the rooftop of Bekkah’s apartment building. I started roughly at 2:00 after breakfast and coffee. I have been unable to sleep well, so I end up sleeping when I can which is usually when the sun comes up. I don’t understand why I can’t sleep. Perhaps I do, perhaps its something to do with Bekkah, and her mood swings causing me not to sleep. I only had one panel left anyway so so I wouldn’t be able to paint any more anyway unless I worked on the same painting every day. I like the slap dash sketchy style that I paint and I prefer to not continue to push my plein air paintings beyond the initial color sketch. If I feel compelled I will take the painting into the studio in the future.
I began this painting with a thin Transparent red oxide tone over the panel, and I did the drawing in a purpleish tone made of white, French Ultramarine, and alizarin Crimson. After the drawing was established I painted the greens to key the depth of the painting, as well as keying the values. I didn’t touch the sky until later. Usually I key the sky first, and even paint it first, but I felt that it would be a bad choice this time around, because I didn’t see anything epic happening in the sky at this time. I love epic skies, with peachy oranges, pinks and purples with the blue sky peering through, and apocalyptic fires off in the distance. That was my vision for this painting.
After painting the greens keeping the sky in mind I began to paint the architecture carefully with very precise brush strokes. I would maintain the drawing by chopping the shapes with other overlapping brush strokes. This is what I love about painting. Making all the puzzle pieces of nature’s complexity in front of me all fit together. I get a rush from this simple pleasure.
Once the architecture is established I moved to a different spot on the rooftop where one of the most fantastic sunsets unfolded in front of me, and I went for it. I am fairly happy with the result, but I wish I designed the clouds a bit better. Its difficult when everything changes so quickly.
After painting Bekkah and I take a cab to our last dinner together, most likely ever.
In retrospect, I came to Cairo to leave my bad energy between Bekkah and I here. We had a falling out the last night. I don’t ever want to talk to her again or see her again. She wasted two years of my life while I was in school and I can never forgive her for that. If she didn’t leave me ten days before I arrived back home, I would have given her the most incredible life she could have possibly imagined. What a shame how it had to work out.
I leave for Italy tomorrow. I still have the final stretch to make it out of this god forsaken place. I’m sure I will be fine. I can move on with my life now, and I have found the answers that I was looking for. I know have closure with this dead relationship and I am happy to be moving on. There were many lessons learned, and I am glad to have earned such amounts of wisdom.

Painting in Switzerland

Chantelle and the Swiss Landscape, Switzerland Plein Air

Chantelle and the Swiss Landscape

We arise from our wonderful night’s sleep, and have Traditional Swiss Breakfast, which is simialr to Traditional Dutch breakfast. Toast, with different types of cheeses, an egg, various yummy things to spread on the bread. Coffee and juice too.
Lots of FAA conversation. Breakfast lasted until about 1:00pm because we kept going off on crazy tangents about art and materials, and FAA. Finally we agreed that we need to get out and paint.
My plein air kit is ready and so is Chantelle’s, I ask “so where are we going?” She replies to my question with a “Do you drive?” I reply “I have never driven in europe, but yes I can drive very well.” When I was 18 or so, I bought my first car with selling painted miniatures on ebay.
The first car I ever bought was a Honda Civic Hatchback CX. One of the lightest civics ever made. The older ones were lighter, but this one was the lightest out of the early 90′s Civics. I soon got into fixing it up, as all young guys do in fresno that buy a Honda.
We load up the car with the painting supplies, and I hop into the drivers seat. Its a stick shift. I overflow with joy, and say “STICK-SHIFT! I love driving manual!” Its been at least four years since I have had the opportunity to drive stick. Im ecstatic once again. Its all these small things in life that make me truly happy. We take off, and its like I never stopped driving stick-shift. Its like butter. Her car has a nice soft responsive clutch too. Japanese cars are always a joy to drive.

Nigel, plein air painting in the swiss landscape

Now we are on the open swiss road. I dont know the driving laws in switzerland, but I manage to go with the flow. Chantelle reminds me of the speed limits constantly, which I am thankful for, because at first I was being a little too cautious and driving too slow. Chantelle guides me to one of the most beautiful views I have ever seen. Swiss rolling hills, combined with fall colors. Its magnificent. The best part is the patchy clouds on this day allowing beams of light show through and illuminate chunks of trees and farmland. I’m in painting heaven. I wasn’t incredibly happy with my composition on the first day. Its all a bit too centered, but its only the first one of the trip. I have plenty of time to do give it another shot.

 

We painted for a while, somewhere aroud 4 hours until it was almost dark, working on the atmospheric perspective. Exploiting the properties of the the sun going down. Sunset is an all day process. For me the sunset is the most important part of the day for me. Its one of the most beautiful parts of the day.

I was thinking at the time "is this really happening?"

I have not got into the habit to see the sunrise, but I find that incredibly beautiful as well, I enjoy slow mornings, and would rather work into the night rather than start working early in the morning. I know other landscape painters like Marc Dalessio get up around 6:00 to go painting. I would like to do that but I am not a fan of rushing at this point, maybe in the future Ill give it a try, but not now. I like going slow and taking my time with everything. Its a luxury that few get to enjoy.
After packing up and hopping in the car we hit the Migros, and Lidl. Both are pretty awesome grocery stores. I got my favorite things: Garlic, Bel peppers, Onions, Tomatoes, Avacados Feta, Mozzarella, a couple baguettes and a few other odds and ends. Bruchetta, and Greek Salad was in the near future.
The next day had the same morning routine, coffee, Swiss breakfast, conversation, laughs. Every day we painted Chantelle made the best Chai Tea and put it in a thermos for us. It was fairly cold the whole time I was there, so the Chai really helped keep me going. We hit the road around 12:00 to explore. The clouds are low and patchy today which makes for the most epic of moments. Another spectacle of a day. Its once again unreal. We worked on out paintings until the light effect in nature is completely lost, packed up and headed to the house. Each day I was happier and happier with my results. The night finished up with dinner and a movie. It was another perfect day in Switzerland.

Chantelle makes the best chai tea. Its the best on a chilly fall day...

We continued this routine of driving out, painting spots, drinking chai for the rest of the trip. I’m not going to lie… Its the good life here in switzerland, and going to to cairo from switzerland is going to be like going from heaven to hell in 24 hours. Chantelle and I had a great time painting. We get along well. I realize that some people are compatible and some people arent. Bekkah and I are in no way compatible. I don’t get along with people that have bitchy attitudes. On top of that she has no respect for painting. Therefore she has no respect for me and my life. Its a shame because she used to. I guess getting her bachelor’s from state was such a big deal for her that now for some reason she thinks her cause is superior to mine, and that she is above me. I bring beauty into the world. She educates people in english. I think that is great. Education is good, In my experiences with europe. It doesn’t make someone less of a person if they don’t know english. I think what matters is that people can communicate. Eloquence is possible in all languages.

Nigel Robertson painting in switzerland, plein aire, with an italian field easel and a porcahde box

Just me and the tree...

Its light like this, Switzerland...

Swiss hillside

No simplification necessary...

Beautiful switzerland, landscape

Its sort of like a dream. Wait. No, better...

No simplification nessiscary, switzerland is beautiful

I fell in love with this tree. The road is it's friend

Settignano

Plein Air Panoramic of Settignano

I have been meaning to take the bus up to Settignano since I arrived in Florence, but normally Ill ride the bike or the scooter to a spot. This time this scottish guy from Angel Academy wanted to come plein air painting. He had not fine tuned his painting kit yet so we had to ride the bus to Settignano to paint there in the olive orchards. It was fun. I painted over a shellaked panel which was very nice to paint on. I showed him some of my mixtures I used for painting florence.

Second session in Settignano, painted from a better vantage point...

I learned most of my mixtures from leo Mancini, and Joe Alter. I took a landscape workshop from them in this same exact spot. The student became the teacher this time. I was so happy with the painting that I had to go out the next day and paint a slightly larger panel, in a clearer spot. I even happier with the next painting because I experemented more about my mixtures, using a slightly more pastelly more chromatic warmer tones for the horizon. I believe the second painting was much more successful, not only that but it was slightly bigger.

The Goose

I get the I get the urge to paint a large Ponte Vechio the view under Ponte Alle Grazie the next bridge down from the ponte vecchio. Its a pretty epic view. So I get down there. I get all set up. Find my view, and begin to block in the painting. All of the sudden I see this goose head pearing around the corner of the pillar of the bridge. It begins to approach me picking at the ground. I dont know if it was sizing me up or what, but it begins to get closer and closer, and nastier and nastier as it approaches. It begins to hiss at me, and its clearly pissed off. This makes painting extremely difficult, because the level of concentration that is required to capture all the complexities that is the Ponte Vecchio and Uffizi. I just couldn’t continue to paint with this god awful goose hissing at me.
I went back for a second session, and got the same thing. I planned on going back for a third session, but the dumb goose never left, and I didn’t really like the idea of harming it. Bummer. Painting Abandoned for now. I would need at least few weeks to complete this painting. I was looking forward to showing this painting once it was finished. I guess Ill just have to come back to Florence another time to get it done.

Painting with Maximiliano

Max is one of my best friends from the FAA and he’s back for the third term of the Florence Academy of Art. He’s quite the entertainer. Great sense of humor max has. Max arrives around the 20th of September. Soon after school starts we ride the scooter up to Monte Scenario, which is one of the most beautiful places in Tuscany, in my opinion. Its a long ride up the mountain. Its twice the elevation of Fiesole, and Florence is visible from Monte Scenario, but Monte Scenario isn’t visible from Florence. The inconvenience of going to Monte Scenario is Max can only go on Staturday, or Sunday. The days that the Italians go to mass. At least 50% of the people going to church stopped and talked to us. I know coffee shop italian, and not much more than that, Most of the Italians said that the painting was “Bellino! Bello! Bellisima! Bravo! Brava! Bellisima luce! They would also almost always ask the same questions, how much, how long did the painting take to make? Is the painting for sale? We got to spend three sessions on this painting getting these questions constantly. It was a nice feeling but also very distracting. I had a fantastic time painting here.

Back to Florence

What went wrong?

I grab my luggage from baggage claim in the Florence Airport, and I enjoy this familiar feeling. I’m ecstatic. Thrilled! Taxi cab is waiting for me outside pronto. The driver is a beautiful thin italian woman, who is very nice, and very strong. She throws my 25 kilo bag in the trunk like its nothing. I was impressed, and continued to be impressed my her swift driving skills. She was fast and efficient. I never felt scared during this ride. I felt I was in the hands of an angel. I have her drop me off near the Duomo, and leave her with a nice tip. I had to compliment the nice driving. She also charged me 10 euros less than most cab drivers in Florence. It felt as if I never left, only for some reason I had a 25 kilos of my home rolling behind me.
I take the scenic route to my old apartment in the palace on 10 Saint Egidio. Basilio, my spanish friend who lives there isn’t home, but our new friend Per Elof Ricklund is there. There are no buzzers to the apartment so I have to press all the buzzers to the other apartments to get in. Luckily he’s there, and I end up staying for over a month. I love that place and I hate it at the same time. Its not a place one should live in for very long. Its got one window, the layout is like one long hall way. All the rooms are in a row. No light but these terrible looking energy efficient bulbs, that I just recently found out give off a very ugly sine wave. You see, normal bulbs put off a clean smooth sine wave, which has no effects on humans really. These energy efficient bulbs are full of mercury, and give off a very bad sine wave. It has the form of a regular sine wave except there are these jagged edges that cause all sorts of problems in humans. I should have stayed in a better place. But what the hell… The whole month and a half was free, and since Basilio was in school from 8:00 on I had the place to myself until around 5:00pm. I shared Basilio’s room while Per Was in my old room on my old narrow uncomfortable bed. I got the Futon under Basilio’s loft, which was wider and more comfortable than my old bed. And it turned into a couch. Hell yes. I slept great there. For some reason (Bekkah) I could not sleep well at all in Fresno.
We broke up 10 days before I got back to California from Florence. What a un-compassionate terrible thing to do. Needless to say my heart was shat on, into a billion pieces, after that. I ran around Fresno and Clovis searching for her. Badly wanting to try and mend things. I wasted so much money on gas looking for her. It was crushing. I would get excited if I saw a Silver Volkswagen New Beetle, immediately checking the wheels to see if they were chrome. She avoided me for over a week and a half. Never responding to my text messages, facebook messages. Just a straight up cold tony fuck you. I hate this. It turns me into someone that I don’t want to be. My Dad was happy we broke up because he never liked her, and he thought she was ugly on the inside and out. Perhaps he was right. Because now as I sit in her living room in cairo smelling the burning trash, and I look at her. The sight of her is sickening.

Final White Chalk Cast Drawing  By Nigel Robertson

Final White Chalk Cast Drawing (Sold) 2011

I have only been here in cairo for three days and two nights, and when I look at her, I wonder what I found so attractive about her. Her butt looks like its permanantly clenched, not bulbous or heart shaped, but strangly upsidedown triangular. She has the strangest arms. Her biceps triceps are kinda large with a layer of fat underneath, and her forearms are skinny, which lead to her even skinnier hands. Strange indeed, especially in comparison to all the beautiful Italian women I have drawn in Florence while studying at FAA. I saw all these characteristics as perfections, because thats what happens when you are in love with someone. and Her personality wasn’t great when I met her, but I found her behavior quite sexy. And her interests as well. She’s a book worm with obsessive compulsive disdorder. Even with the OCD she is still quite an efficient person. We connected on many levels. She was the best kisser I have ever kissed, hands down. No one competes with the way she kissed. She was incredible… Just the right kind of crazy. I was whipped. I’ll admit it. It happens to the best of us. What can I say… I prefer quality. For the next three years we had a great relationship. We got along well for the most part. I liked her parents alot. They were really cool. Especially her dad John. He is really great. Her Mom was pretty cool as well. We got along. A total character. She Reminds me of one of Robert Amador’s drawings of strange touristy looking eureka ladies that you see in Vegas. She has these crazy bulging eyes. She seemed to like me more than her own daughter. I like her alot needless to say. Bekkah is an only-child like my self. It could explain her was. I have no bias against only children because I am one. I acquired my brothers and sisters. Bekkah and I spent three really nice years together. The fourth I will get into later. It was some of the best times of my life with her. I was at peace with her, but I always felt something dark was brewing. I never thought it would lead me to cairo.
How does all this relationship stuff fit into florence? I had all this on my mind during the entire month and a half during my stay this Florence. Wondering what happened. Where did it all go wrong. What did I do. What was wrong with me. The answer is quite simple. The answer needs it’s own preface. In 2009 I applied and was accepted into the Florence Academy of Art. One of the most prestigious drawing and painting schools in the world. There is no way I was going to stay in Fresno even for Bekkah, who I thought I might want to marry. I decided I did want to at one point. Dad would have had a shit fit. Good for him it’s not going to happen. I told her that I was breaking up with her before I applied, because I knew I was getting into the school. She begged and pleaded “No!” “please!” “We can make this work!” “Don’t leave me!” “We will make this work!” And look how it turned out. Somehow I am now sitting in Cairo, Egypt, smelling burning trash. No longer together with her. She has become interested in two other guys since we split. One is in Fresno, one is in egypt. I can only imagine what he is like. Probably a sweet guy, that has no taste for the finer things in life. Like german beer for example. I can only speculate at this point. Especially about the beer. Beer is extremely expensive in cairo. One beer cost’s 24 egyptian pounds, which converts to about four to five egyptian dollars. Allora.
Now what was it that lead me here to this religiously enslaved third world hell hole? The combination of the painting program at the Florence Academy of Art, along with almost two decades of handling paint brushes. It begins with my return from my winter vacation in the Nederlands. I visited my Aunt Tanya, and Uncle Andy in Holland for christmas. It was a fantastic trip. They showed me the ropes for getting around Holland like a local. Like a pro, which made my return visit so much more awesome. I arrive in Florence just before New Years Eve, which was an absolute blast. January second I was back in the studio working away at my final white chalk on toned paper cast. I finished it the first week of school. Daniel Graves, the director of the Florence Academy of Art said himself that the drawing was “hairline accurate.” He could not find a single error, unlike my other instructors. I felt the other instructors were trying to keep me back in order to keep their favorite students ahead. Favoritism can be quite an obsticle in this school. Eventually in this case Justice prevailed. I didn’t get best cast drawing of the year for this one, but I should have, according to Bernhard Schmidt, who recieved two best drawing of the year awards for his long pose figure drawings. I am over it. Im more pissed off about being in cairo. This place is terrifying.

Sunset is an all day process

With my final Cast Drawing of the FAA Intensive Drawing Program completed I begin the painting program. Feeling confident with my painting skills I dive right in. Within a couple days of starting my first cast painting of Michaelangelo’s “David Eye” is coming along nicely. Except for some reason, I could not get the big shapes of this cast exactly perfect like I did with the previous white chalk cast. “hairline accurate” according to Dan. My instructors would step into the studio and get confused as to which was the actual cast, or the painting. I thought it was hillarious. I think it insulted them when I tricked their eye into believing that my painting was the real thing. So they would say awful things about my painting. Jordan Sokol for example said my painting was a “polished turd” even though he wasn’t able to nail down the exact problem. The same with Hege Elisabeth Haugen. It was close enough that she didn’t know what to do with it as well. I ended up screwing up the drawing on this painting more and more every day with each critigue I recieved, until one day I completely snapped, ended up sanding the whole painting down. to an unrepairable state. I still have the painting as a reminder of the loss of this battle. It was traumatic. It began a downward spiral of depression, suffering and failure. All I wanted to do was to do excellent in school, to meet the expectations of the teachers. To succeed. Michaelangelo said once “The danger for most of us is not to set our expecations too high and not reach them, it is setting our expectations too low and succeed. I read this quote after this all happened, and it made me feel much better.
My instructors during this time realized that I had so much painting experience, that they were extra hard on me. Their expectations rose even higher and higher. Hege and Jordan said that I should take it as a complement, but for me the pressure got in the way of my own progress. Making me more depressed. I was living in my cave at Basilio’s place at the time. The second year studio of FAA is also a cave. The two caves combined, plus the pressures of my instructor’s drove me mad. The weather had been getting warmer, and all I wanted to do is be outside. So I went outside whenever I got the chance. Florence is quite a rainy place for november through march even. Sometimes the sunlight gets scarce. All this time I wanted it all to end.

The kiss in Paris

I wanted to be back with my beloved Bekkah. To be held and my imperfections to be accepted, and to hear “I love you.” I could never get a hold of her during these last few months of the painting program. And I couldn’t write to her because every time I did write something to her I thought it was stupid and would delete it, and start over. She is a now graduated english major from Fresno State University. She was finishing her bachelors at the time. She is very intimidating to write to, because she is such a brilliant writer. When three hours pass by and you are staring at a blank page it was just time for me to just call her. No answer. Almost ever. Something strange was happening. It was the end of our relationship. I could feel it. And it pushed me further into depression.
Feeling the need to get some fresh air I assembeled my Plein Air Painting kit. My escape route. I began to ride out on my bike, supplies on my back, to find a spot and paint it. Soon I got my friend max into plein air painting along with a few others at school. I gave him my wooden field easel and would let him borrow brushes and paints whatever he needed. Max has a Scooter, and we could ride out to any spot in Tuscany to paint it. I managed to get him to go out almost every weekend, twice a weekend sometimes even four sessions. I was happy when I was outside painting. Nothing mattered. It was the medititation that I needed. I got such a great rush out of painting outside that when it was time to go home I remained only temporarily happy, and soon would drift into sadness again. I didn’t want to do anything but paint outside. Which was the beginning of my Plein Air obsession.

My newly built porchade box

Porchade box in action

Plein Air is wonderful for me because I spend hours outside observing nature, watching the sun move across the sky. Clouds shifting, colors changing, comparing shapes and edges, working toward the goal. My mind was at peace during this time. Riding the scooter around Tuscany was also a lot of fun; actually a big part of the fun. It was a rush. In the evenings after painting I turned to another hobby of mine which took alot of time up: playing music, and composing music. I have been into fiddling around with electronic music since I was a kid when my dad bought one of the first versions of REBIRTH, and Sonic Foundry Acid. Eventually we moved on to reason, and then to Ableton Live. I still enjoy producing music. Someday I’ll post some songs to sound cloud or something. But I have yet to do it.
Every day was just another few ticks on the clock of the time-bomb. I felt the relationship ending. I didn’t want it to, because I loved Bekkah with all my heart and soul. I saw her has perfect. My best friends thought I was crazy. Dad thought she was ugly. He even said that we would have ugly babies once. He didn’t know I was listening. Most of my friends didn’t like her at all after a while. And they thought I was stupid for being in a long distance relationship with this woman. People in Florence would ask me about my situation with her and they would scratch their heads, thinking I was completely crazy. First it was the David’s eye catastrophe, then the next cast painting was a catastrophe, and then the next cast my Saint Gerome cast painting (sold) was also a huge fight to over come. It took over a month to get finished. All my teachers seemed to steer me in the wrong direction for each project. This however taught me so much about painting and the art of observation. I took it to the mountains. And still do.
Roughly Twenty days before leaving back home to Florence I broke the news to the Florence Academy that I would not be returning to the school. I told Bekkah my decision. Ten days before leaving back to california from Florence she broke up with me. I was crushed. I was morbidly sick of all the shortcomings. It has been frustrating.

The sight of you at this second made me sick to my stomach.

I have been sitting in Bekkah’s living room writing this since about lunch time, she was in her room grading papers for a while, and then she and her roomate went out to get lightbulbs and gelato. They just returned. I have been thinking all day that she looks like Pebbles from the flinstones. She has bright red hair now, and she wears her bun on the top of her head. I don’t find it the least bit attractive. Nor do I understand how OCD bekkah can live in a lawless third world country that burns its trash, feral dogs and cats run rampant eating rats and trash. The skies are so hazy that it looks like a foggy day in February in the central valley. Shit visibility. It can’t be good for anyone’s lungs. The vehicles around here constantly have plumes of smoke pouring from them. Its quite a spectacle. Don’t get me started on how they drive here. Its unreal. Ill continue this story later.